Donald Keene Center Events Calendar
Fall 1998

• Please check this site for calendar updates.
• All events at Columbia are free and open to the public.
• Unless otherwise indicated, all of the programs listed below take place at Columbia University, 116th Street between Broadway and Amsterdam Ave.
• To view a campus map, click here.

SEPTEMBER 1998


September 14 - December 9
Film Series: Japanese Society in Film
 
Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


The opening night of Japanese Society in Film, a free fourteen-film series presented as part of two university courses on Japan: "Social Change Reflected in the Literature and Film of Modern Japan" (East Asian - History V3610; Prof. Carol Gluck) and "Tokyo: History, Form, and Spirit" (History - Japanese W4850; Prof. Henry Smith).

§ All are welcome.

§ Films will be shown in Altschul Auditorium (International Affairs Building, 4th Floor)
Japanese Society in Film

9/14 Night Drum (Yoru no tsuzumi) [Imai, 1958]
9/16 Eijanaika [Imamura, 1981]
9/23 The Mistress (Gan) [Toyoda, 1953]
9/30 Sorekara [Morita, 1986]
10/7 I was born but.... ( Umarete wa mita keredomo) [Ozu, 1932]
10/14 Twenty Four Eyes (Nijushi no hitomi) [Kinoshita, 1954]
10/21 Human Bullet (Nikudan) [Okamoto, 1968]
10/28 Stray Dog (Nora-inu) [Kurosawa, 1949]
11/4 Tokyo Story (Tokyo monogatari) [Ozu,1953]
11/11 Street of Shame (Akasen chitai) [Mizoguchi,1956]
11/18 The Ceremony (Gishiki) [Oshima,1971]
11/23 When A Woman Ascends The Stairs (Onna ga kaidan o agaru toki) [Naruse, 1960]
12/2 Family Game (Kazoku gemu) [Morita, 1983]
12/9 A Taxing Woman (Marusa no onna) [Itami, 1988]


Film: Night Drum (Yoru no tsuzumi)
Directed by IMAI Tadashi
Starring Mikuni Rentaro, Arima Ineko, and Mori Masayuki (Shochiku, 1958, 95 min.)

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Night Drum is a powerful film adaptation of Chikamatsu's Bunraku play Horikawa nami no tsuzumi (The Drums of the Waves of Horikawa), portraying the despair of a samurai wife, left at home while her husband serves his feudal lord in Edo. When she is caught in an adulterous affair, the strict samurai code requires her death. Though her husband loves and forgives her, he must exact a penalty he does not believe in.

Part of "Japanese Society in Film" Series


 

September 16 (Wednesday)
Brownbag Lecture: Film and the Teaching of Japanese History
Thomas Keirstead(Professor of Japanese History, University of Buffalo)
East Asian Institute Common Room, 9th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
12:30 - 2:00 PM


 

Film: Eijanaika
Directed by IMAMURA Shohei (Imamura Productions, 1981, 151 min.)
Starring Izumi Shigeru, Ogata Ken, Momoi Kaori and Baisho Mitsuko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Imamura's exuberant account of the Tokugawa shogunate in collapse and the birth struggle of a post-feudal consciousness. Through the eyes of lowlife entertainers and cunning entrepreneurs on the fringes of Edo society, he depicts the oppresiveness of a tradition-bound government and the vigor of the uprisings that contributed to its eventual overthrow.

The film will be introduced by Thomas Keirstead, Professor of Japanese history at the State University of New York at Buffalo

Part of "Japanese Society in Film" Series

 

September 21 (Monday)
Brownbag Lecture: The Japanese Film Today
Donald Richie (Film historian, critic, essayist and novelist)
East Asian Institute Common Room, 9th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
12:30 PM - 2:00 PM


Donald Richie, one of the world's leading authorities on Japanese film, is well known for his many books chronicling contemporary Japanese culture. A series of films by the director Hani Susumu, organized by Mr. Richie, is currently running at the Museum of Modern Art.

 

September 22 (Tuesday) 
Demonstration: Incense Demonstration
Professor Seiji Lippit (Assistant Professor of Modern Japanese Literature, Department of East Asian Languages & Cultures, UCLA)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)
4:00 PM - 6:00 PM


The appreciation of incense was a favorite pastime of Japanese courtiers and aristocrats, and incense contests were frequently described in The Tale of Genji and other literary works. Hata Masataka (Director of Shoeido Incense Co., Kyoto), Ota Kiyoshi (Professor of Buddhist Studies at Koka Women's College and Master of the Shino School of Incense), and Morita Kiyoko (author of The Book of Incense) will demonstrate ancient Japanese incense rituals and speak on the relationship of incense and classical Japanese poetry.

 

September 23 (Wednesday) 
Film: The Mistress (Gan; also known as The Wild Geese)
Directed by TOYODA Shiro (Daiei, 1953, 106 min.)
Starring Takamine Hideo and Akutagawa Hiroshi

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
An adaptation of Ogai Mori's novella about a woman who becomes the mistress of a selfish pawnbroker in order to support her ailing father, Toyoda's film captures beautifully the atmosphere of downtown Tokyo during the late Meiji period. Takamine's subtle portrayal of the heroine O-Tama is one of the finest performances by this celebrated actress.

Part of "Japanese Society in Film" Series

 

September 30 (Wednesday)
Film: Sorekara
Directed by MORITA Yoshimitsu (Toei, 1986, 105 min.)
Starring Matsuda Yusaku, Fujitani Miwako, Kobayashi Kaoru, and Ryu Chishu

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
A stately film adaption of Natsume Soseki's novel of the same name. A love triangle between Daisuke, a young dilettante unable to find a place for himself in the new society of late-Meiji Japan, his opportunistic banker friend, and the banker's unhappy wife who had earlier been the hero's girlfriend. A visually arresting depiction of Tokyo at the turn of the century. 



Part of "Japanese Society in Film" Series

 

 

OCTOBER 1998


October 1 (Thursday)
Special Lecture:The Tale of Genji: A Chinese Point of View
Professor Wen-Yueh Lin (Professor of Chinese Literature, National Taiwan University)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)
4:00 PM - 5:00 PM
Lecture to be given in Japanese


Professor Lin is an internationally renowned scholar and translator of classical Chinese and Japanese literature.  Born in Shanghai, she has lived in Taiwan since 1946, and has taught at National Taiwan University since 1959.  She has also taught as Visiting Professor at Oxford University, Cambridge University, Kyoto University, Harvard, Yale, and the University of Washington.  Professor Lin has published numerous books and articles, including Hsieh Ling-yun and His Poems, Shan-Shei and the Classics, as well as Chinese translations of Genji Monogatari and Makura no Soshi.  She is also an established creatvie writer in the genre of the familiar essay.

 

October 7 (Wednesday)
Film: I Was Born But... (Umarete wa mita keredomo)
Directed by OZU Yasujiro (Shochiku, 1934, 89 min.)
Starring Saito Tatsuo and Yoshikawa Mitsuko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
One of Ozu's most beloved silent films. Tokyo's new suburbs of the 1920s are the setting of this gentle satire, in which the foibles of the middle class are seen (and seen through) by children. In this film, Ozu reveals his skill at eliciting fine performances from child actors.

Part of "Japanese Society in Film" Series


 

October 14 (Wednesday)
Film: Twenty Four Eyes (Nijushi no hitomi)
Directed by KINOSHITA Keisuke (Shochiku, 1954, 155 min.)
Starring Takamine Hideko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Stories of devoted schoolteachers are beloved throughout world literature, and the theme receives one of its finest interpretations is this film. A young woman comes to teach on a small island in the Inland Sea, and though her life there at first seems idyllic, it cannot be protected from the winds of war.

Part of "Japanese Society in Film" Series


 

October 15 (Thursday)
Lecture: Allegories of Desire: The Development of Esoteric Commentaries in Medieval Japan
Professor Susan Klein (Assistant Professor of Japanese Literature, University of California at Irvine)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)
6:00 - 7:30 PM


Professor Susan Klein is a specialist in medieval Japanese literature, modern Japanese theater and dance, and feminist critical theory.   Her earliest scholarly work was on the political and social context for the emergence in the 1960s of the postmodern dance form known as "Butoh," and resulted in her book. Ankoku Butoh: The Premodern and Postmodern Influences on the Dance of Utter Darkness (1989).  She has also translated Noh plays, and is currently researching secret esoteric commentaries on Ise Monogatari and the Kokinshu written during the Kamakura and Muromachi periods.

 

October 21 (Wednesday)
Film: Human Bullet (NIkudan)
Directed by OKAMOTO Kihachi (ATG/Okamoto Productions, 1968, 116min.)
Starring Terada Minoru and Otani Naoko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
A brilliant war satire in a Catch 22 vein. The harrowing life of a lowly Japanese footsoldier, trained to be a human torpedo, is contrasted with that of a young girl whose view of the world is one of lyrical beauty.



Part of "Japanese Society in Film" Series

Strapped to a torpedo, a recruit (Terada Minoru) must prevent enemy ships from reaching shore.

 

October 23 (Friday) & 24 (Saturday)
Workshop: Japanese Printmaking
Tetsuya Noda (Print Artist)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)


One of Japan's most distinguished print artists, Noda Tetsuya's works have been collected by many of the world's leading museums. He will present three workshops on traditional Japanese printing techniques at The Neiman Center for Print Studies of the School of the Arts, Columbia University. This is the first workshop of the three.

 

October 28 (Wednesday)
Film: Stray Dog (Nora inu)
Directed by KUROSAWA Akira (Shintoho, 1949, 122 min.)
Starring Mifune Toshiro and Shimura Takashi

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
A young police detective's pistol is stolen and becomes the murder weapon in several subsequent homicides. The detective's search for his gun sends him foraging through the Tokyo underworld and makes for one of Kurosawa's most brilliant early films. Shot entirely on location during the summer of 1949, the film reveals a city physically and morally ravaged by war.

Part of "Japanese Society in Film" Series

 

October 29 (Thursday)
Lecture and Demonstration by Print Artist Noda Tetsuya
Tetsuya Noda (Print Artist)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)

 

The distinguished print artist, Noda Tetsuya, will speak about the relationship of his work and traditional Japanese woodblock techniques. For more information, please contact The Neiman Center for Print Studies of the School of the Arts, Columbia University.


Cosponsored by the Ukiyo-e Society of America
Print by Noda Tetsuya

 

October 30 (Friday) & 31 (Saturday)
Workshop: Japanese Printmaking
Tetsuya Noda (Print Artist)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)


This is the second workshop in a series of three by the well-known print artist Noda Tetsuya. For more information, please contact The Neiman Center for Print Studies of the School of the Arts, Columbia University.


 

 

NOVEMBER 1998


November 4 (Wednesday)
Film: Tokyo Story (Tokyo monogatari)
Directed by OZU Yasujiro (Shochiku, 1953, 134 min.)
Starring Ryu Chishu, Higashiyama Chieko, Hara Setsuko, and Sugimura Haruko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
An elderly couple travels to Tokyo to visit their grown children. Finding them preoccupied with their own lives, the couple returns home. On the journey home, the mother falls ill and dies soon afterward. Through this simple story, Ozu examines the relationships of three generations and weaves a drama that has been acclaimed for its universality and gentle truthfulness.

Part of "Japanese Society in Film" Series

 

November 5 (Thursday) - 7 (Saturday)
Workshop: Japanese Printmaking

Tetsuya Noda (Print Artist)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)


This is the third workshop in a series of three by the well-known print artist Noda Tetsuya. For more information, please contact The Neiman Center for Print Studies of the School of the Arts, Columbia University.


 

November 11 (Wednesday)
Film: Street of Shame (Akasen chitai)
Directed by MIZOGUCHI Kenji (Daiei, 1956, 85 min.)
Starring Kyo Machiko, Wakao Ayako, Kogure Michiyo, Mimasu Aiko, and Machida Hiroko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
A sensitive series of vignettes about the women who work in a brothel called "Dreamland" in the Yoshiwara licensed quarter of Tokyo at the time when a ban on legal prostitution was being debated in the Japanese Diet. The girls who work at "Dreamland" are prostitutes for a variety of reasons, but all of them find their livelihood threatened with legal extinction. Mizoguchi's last film is distinguished by excellent performances and superb cinematography.

Part of "Japanese Society in Film" Series

 

November 18 (Wednesday)
Film:The Ceremony (Gishiki)
Directed by OSHIMA Nagisa (ATG/Sozosha Productions, 1971, 122 min.)
Starring Kawarazaki Kenzo, Koyama Akiko, Sato Kei, and Otowa Nobuko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Through the complex relationships within a single prestigious family, Oshima traces the entire political and social history of Japan: the collapse of ancient hierarchies, the illusions of democracy and communism, and the hypocrisies of modern values. Tyranny, rape, murder, and incest within the Sakurada family become metaphors for postwar social values in this corrosive allegory. Considered Oshima's masterpiece, this is one of the most powerful Japanese films of the 1970s.

Part of "Japanese Society in Film" Series

 

November 20 (Friday) - 23 (Monday)
Symposium : The Culture of Convents in Japanese History
Sponsored by the Institute of Medieval Japanese Studies
Columbia University (116th St. & Amsterdam Ave.)


Including a 700th anniversary memorial service in honor of Abbess Mugai Nyodai (b.1223; died Nov. 28, 1298), the symposium will coincide with exhibitions of Treasures from the Imperial Buddhist Convents of Kyoto (C.V. Starr East Asian Library, Kent Hall, November 6 - December 4) and Columbia University Buddhist Sculpture (Low Library Rotunda Gallery, November 13, 1998 - January 31, 1999).

 

November 23 (Monday)
Film: When a Woman Ascends the Stairs (Onna ga kaidan wo agaru toki)
Directed by NARUSE Mikio (Toho, 1960, 86 min.)
Starring takamine Hideko, Nakadai Tatsuya, and Awaji Keiko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Amid the seedy elegance of the Tokyo nighttown, the proprietress of a bar in Ginza struggles to preserve her business and her integrity. Known chiefly for his films about Japanese women, Naruse creates one of his finest dramas, aided here by the powerful performance of Takamine Hideko.

Part of "Japanese Society in Film" Series

 

 

DECEMBER 1998


December 2 (Wednesday)
Film: Family Game (Kazoku gemu)
Directed by MORITA Yoshimitsu (Nikkatsu/ATG, 1983, 107 min.)
Starring Matsuda Yusaku, Itami Juzo, and Yuki Saori

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Morita's first film has been described as "....a wickedly funny, stylishly deadpan comedy about Japan's comparatively afflent, utterly directionless, new middle class." With deft irony, the film savages the Japanese education system and all the social values behind it.

Part of "Japanese Society in Film" Series

 

December 9 (Wednesday)
Film: A Taxing Woman (Marusa no onna)
Directed by ITAMI Juzo (Itami Productions, 1988, 127 min.)
Starring Miyamoto Nobuko, Yamazaki Tsutomu, and Tsugawa Masahiko

Altschul Auditorium, 4th floor, International Affairs Building, Columbia University (118th St. & Amsterdam Ave.)
6:30 PM


 
Well-known already as an actor, writer, and social critic, Itami Juzo turned to directing in the early 1980s and—until his suicide last year—produced a stream of superb satires including, The Funeral, Tampopo, Supermarket Woman, and the present film. In A Taxing Woman, he exposes the perils and pleasures of tax evasion Japanese style.

Part of "Japanese Society in Film" Series

 

December 10 (Thursday)
Talk: The Music of Light: The Extraordinary Story of Hikari and Kenzaburo Oe
Linsley Cameron (Writer)
403 Kent Hall, Columbia University (116th St. & Amsterdam Ave.)


Ms. Cameron, a writer for The New Yorker and the New York Times, has closely followed the development of Hikari Oe as a composer and the remarkable role he has played in the fiction of his father Kenzaburo Oe, who won the Nobel Prize for Literature in 1994.  During eight years residence in Japan she came to know the Oe family well, and in her new book, The  Music of Light: The Extraordinary Story of Hikari and Kenzaburo Oe, she writes movingly about the relationships linking the members of this uniquely creative family.

Copies of The Music of Light will be available for sale.
 

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